Chapter 3 Brains, Bodies, and Behavior

Did a Neurological Disorder Cause a Musician to Compose Boléro and an Artist to Paint It 66 Years Later?

In 1986 Anne Adams was working as a cell biologist at the University of Toronto in Ontario, Canada. She took a leave of absence from her work to care for a sick child, and while she was away, she completely changed her interests, dropping biology entirely and turning her attention to art. In 1994 she completed her painting Unravelling Boléro, a translation of Maurice Ravel’s famous orchestral piece onto canvas. As you can see in Figure 3.1, this artwork is a filled with themes of repetition. Each bar of music is represented by a lacy vertical figure, with the height representing volume, the shape representing note quality, and the color representing the music’s pitch. Like Ravel’s music (see the video below), which is a hypnotic melody consisting of two melodial themes repeated eight times over 340 musical bars, the theme in the painting repeats and builds, leading to a dramatic change in color from blue to orange and pink, a representation of Boléro’s sudden and dramatic climax.

Figure 3.1 Unravelling Boléro

Adams’s depiction of Ravel’s orchestral piece Boléro was painted during the very early phase of her illness in 1994.

Source: Photo courtesy of New Scientist, http://www.newscientist.com/data/images/ns/cms/dn13599/dn13599-1_567.jpg.

Maurice Ravel’s Composition Boléro (1928)

Shortly after finishing the painting, Adams began to experience behavioral problems, including increased difficulty speaking. Neuroimages of Adams’s brain taken during this time show that regions in the front part of her brain, which are normally associated with language processing, had begun to deteriorate, while at the same time, regions of the brain responsible for the integration of information from the five senses were unusually well developed (Seeley et al., 2008).Seeley, W. W., Matthews, B. R., Crawford, R. K., Gorno-Tempini, M. L., Foti, D., Mackenzie, I. R., & Miller, B. L. (2008). “Unravelling Boléro”: Progressive aphasia, transmodal creativity, and the right posterior neocortex. Brain, 131(1), 39–49. The deterioration of the frontal cortex is a symptom of frontotemporal dementia, a disease that is associated with changes in artistic and musical tastes and skills (Miller, Boone, Cummings, Read, & Mishkin, 2000),Miller, B. L., Boone, K., Cummings, J. L., Read, S. L., & Mishkin, F. (2000). Functional correlates of musical and visual ability in frontotemporal dementia. British Journal of Psychiatry, 176, 458–463. as well as with an increase in repetitive behaviors (Aldhous, 2008).Aldhous, P. (2008, April 7). “Boléro”: Beautiful symptom of a terrible disease. New Scientist. Retrieved from http://www.newscientist.com/article/dn13599-bolero-beautiful-symptom-of-a-terrible-disease.html

What Adams did not know at the time was that her brain may have been undergoing the same changes that Ravel’s had undergone 66 years earlier. In fact, it appears that Ravel may have suffered from the same neurological disorder. Ravel composed Boléro at age 53, when he himself was beginning to show behavioral symptoms that were interfering with his ability to move and speak. Scientists have concluded, based on an analysis of his written notes and letters, that Ravel was also experiencing the effects of frontotemporal dementia (Amaducci, Grassi, & Boller, 2002).Amaducci, L., Grassi, E., & Boller, F. (2002). Maurice Ravel and right-hemisphere musical creativity: Influence of disease on his last musical works? European Journal of Neurology, 9(1), 75–82. If Adams and Ravel were both affected by the same disease, this could explain why they both became fascinated with the repetitive aspects of their arts, and it would present a remarkable example of the influence of our brains on behavior.